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1. #Editready mojave update#
2. #Editready mojave manual#
3. #Editready mojave software#
4. #Editready mojave license#
5. #Editready mojave series#

These latest updates address common problems such as dealing with unorganized media that requires custom-built metadata fields, RAW transcoding, and ensuring individual media archives can span multiple LTO tapes. If you’re also looking for a safe way to backup your footage, you can also commit to the Hedge & EditReady bundle for $189.įor more information about EditReady 22.2, please visit Hedge’s blog here.ĭo you normally use Hedge’s tools in your post-production workflow? What do you think of this EditReady 22.Hedge has updated all three of its major platforms.

#Editready mojave license#

The license works on up to two machines at the same time. You can purchase a single EditReady license for $79 by connecting to Hedge’s website here. This new function can greatly simplify post-production workflows for Sony VENICE users. This precise conversion relies on Sony’s own gamuts and gamma curves (S-Gamut, S.Gamut.Cine, and S-Log3).

Indeed, added support for Sony Uncompressed RAW and their X-OCN codec (Extended tonal range Original Camera Negative) now allows users to convert these large, resource-demanding files into more edit-friendly copies. With EditReady 22.2, the wait for Sony users is over. R3D among the list of supported file formats. Added support for Sony Uncompressed RAW and X-OCN formatsĪ few months ago, Hedge announced that Sony and Canon RAW formats would soon join ARRIRAW, BRAW, ProRes RAW, and RED. Moreover, this new release has been programmed to exploit the capabilities offered by Apple’s Metal architecture in Mac environments. Indeed, all colorspace conversions and calculations are performed using a high-precision floating-point mode and by complying with the camera manufacturers’ color models. EditReady 22.2: i mproved accuracyĪlong with a new color conversion pipeline, this new version of EditReady also brings greater processing accuracy. By following this process, the look of on-set and creative LUTs is preserved throughout the whole pipeline.

#Editready mojave software#

The software then automatically applies the correct output LUT after the colorspace conversion is complete. Moreover, you can also set a specific camera manufacturer’s color model as your target colorspace, so there’s no compromise on dynamic range. Then, the software takes care of the rest by properly handling the colorspace conversion. Image credit: HedgeĪll you have to do is choose between an SDR (Rec.709) or an HDR workflow (PQ or HLG). Hence, users don’t need to worry about diving into the technicalities of colorspaces, gamuts, and gamma curves. With this new panel, the software takes the original, bulky RAW footage and automatically converts it into a more manageable format (such as ProRes or DNx).

#Editready mojave manual#

The latest version of EditReady introduces a new Color Conversion Panel that aims at improving efficiency and automating color management workflows, while still providing manual control and full flexibility if needed. Image credit: Hedge EditReady 22.2: new Color Conversion Panel

#Editready mojave update#

These also include EditReady, a transcoding tool that is now receiving an update fully focused on preserving the look of your original footage, while providing more editable files.

#Editready mojave series#

The company offers a series of tools to make life in post easier. Here’s where Hedge’s mission of automating and simplifying modern post-production workflows comes in. This is especially true when working with mixed footage from multiple camera brands. However, today’s jungle of different color gamuts and gamma curves can cause quite a few headaches to post-production professionals. The world of high-resolution RAW and HDR video is making us experience true-to-life images like never before. EditReady 22.2 now comes with a new color conversion panel, improved precision, and added support for Sony Uncompressed RAW and X-OCN formats. Hedge has recently introduced an update for their transcoding software with a focus on simplifying color management workflows.